Here Tim turns from author to teacher, recalling taking a racially mixed college class on a bus trip through southern racial history, not unlike our own "Freedom Ride, 2010." He then goes on to explain what Blood Done Sign My Name means to him and why it should be important to us.
After we visit Somerset Place and Stagville, consider how your experience compares with that of Tim’s students ten years ago when they visited Destrehan Plantation in New Orleans. [Leaders should note that Tim's African-American students were traumatized by the tour's indifference to the black history there.]
Why does Tim consider the book title and the book itself to be, in musical terms, a combination of blues, gospel, and rock ‘n roll?
What in Tim’s view is problematic about the popular view of Martin Luther King, Jr. and his role in the civil rights struggle? Do you agree?